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| Photo: Matthew Murphy, Evan Zimmerman |
Monty Python's Spamalot is a perfect blend of slightly over-the-top surrealism, and a great Broadway show. Based on the Monty Python film "Monty Python and the Holy Grail," it hits all the high notes from that film and translates them to the stage. If you know the comedy sketch stylings of Monty Python, or you know the films of Monty Python - you will not be disappointed. Is it the same as the film? No, of course not. It is it's own creation and so if you are looking for an exact replica of the film on stage - go watch the film. And for those who somehow have missed the secret - this is Monty Python.
The story is a parody of the legend of King Arthur, and his supposed quest for the Holy Grail. The book and lyrics are by Eric Idle, while the music is by John du Prez and Eric Idle. So you know you are in good hands because Idle is in charge. The cast was fantastic throughout. Major Attaway has a very tough role of King Arthur because he is the straight man for the show. All the foolishness happens around him, and he plays the part with perfect seriousness, while also being clearly in this Pythonesque world and accepting what comes his way. The rest of the male dominated cast play multiple roles and were all fantastic in each part. The characters were all distinct, unique, and perfectly cast and played. It looked like everyone was just having the time of their life playing these parts, and performing in this show. The songs and music fit perfectly in the show. There are two songs that work but I have questions about. The first one is the top of Act Two, and is taken from a different film. It works perfectly in the space but it is also a song that just sticks with you, an earworm that can get quite annoying. The second one is also in Act Two. While the song " You Won't Succeed on Broadway" is a great big splashy number, and very funny, it felt a bit more Mel Brooks than Monty Python to me. But like I wrote, every song worked within the show, and put a smile on the face.
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| Photo: Matthew Murphy, Evan Zimmerman |


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