Beekeeping and quantum mechanics mixed with the multiverse - that is what to expect when seeing Constellations at the Jungle Theater. This play is an amazing kaleidoscope of ideas, options, and chances all mixed into a two-person show. Written by Nick Payne, Constellations is about Roland (Ron Menzel) and Marianne (Anna Sundberg) who meet at a barbecue. Roland is a beekeeper while Marianne is a theoretical physicist - a very unlikely combination. There are several attempts at starting a conversation, each time the characters come to an impasse the scene starts again. When the conversation actually continues, the scene continues. In less talented hands this could look like a high school production of the "first date sketch" in which a bell rings each time the date doesn't work out.
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| Photo: Dan Norman |
I have already mentioned that the cast and direction were singular and incredible. The other thing that I have to mention is the set by Kate Sutton-Johnson. The directors note states "...a new play whose only stage direction is 'with every change of font there is a change of universe.' And there are sixty changes of font." How do you design for that? Sutton-Johnson found the perfect solution by creating a multi-level set with angles and curves through out. There are lines painted on the set, radiating in various directions. There are also metallic bands set across the top of the set, along the back and sides of the set creating an abstract sculpture for the actors to work on. Occasionally the bands would reflect light into the audience creating a shimmer - reminding us of the multitude of stars (and possible universes) in the sky at night. The program provides more insight into her process, along with some fantastic background to the science of the show, beekeeping, and a list of four books available at Magers & Quinn to further explore the ideas behind the play. I had an amazing, talk-creating experience watching Constellations. It plays through May 29th so there is plenty of time to see it, but if it gets reviews like it did on Broadway, I have a sense that the sooner the better.

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